sharing my love of books with you

Tag: Billy Collins

Royal Aristocrat, by Billy Collins

My old typewriter used to make so much noise
I had to put a cushion of newspaper
beneath it late at night
so as not to wake the whole house.

Even if I closed the study door
and typed a few words at a time -
the best way to work anyway -
the clatter of keys was still so loud

that the gray and yellow bird
would wince in its cage.
Some nights I could even see the moon
frowning down through the winter trees.

That was twenty years ago,
yet as I write this with my soft lead pencil
I can still hear that distinctive sound,
like small arms fire across a border,

one burst after another
as my wife turned in her sleep.
I was a single monkey
trying to type the opening lines of my Hamlet,

often doing nothing more
than ironing pieces of paper in the platen
then wrinkling them into balls
to flick into the wicker basket.

Still, at least I was making noise,
adding to the great secretarial din,
that chorus of clacking and bells,
thousands of desks into the past.

And that was more than can be said
for the mute rooms of furniture,
the speechless salt and pepper shakers,
and the tall silent hedges surrounding the house.

Such deep silence on those nights -
just the sound of my typing
and a few stars singing a song their mother
sang when they were babies in the sky.

("Royal Aristocrat", Billy Collins, in Nine Horses, 2002)

I am adding this poem because I especially like the line “Still, at least I was making noise”. This “making noise” – adding words to words to form a poem, then adding poem to poem to form a book – this is the noise I wish to be a part of too. And so, on my computer instead of a typewriter, I will make my noise in hopes of having a book of my own one day.

Aimless Love, by Billy Collins

This morning as I walked along the lakeshore,
I fell in love with a wren
and later in the day with a mouse
the cat had dropped under the dining room table.

In the shadows of an autumn evening,
I fell for a seamstress
still at her machine in the tailor's window,
and later for a bowl of broth,
steam rising like smoke from a naval battle.

This is the best kind of love, I thought,
without recompense, without gifts,
or unkind words, without suspicion,
or silence on the telephone.

The love of the chestnut,
the jazz cap and one hand on the wheel.

No lust, no slam of the door -
the love of the miniature orange tree,
the clean white shirt, the hot evening shower,
the highway that cuts across Florida.

No waiting, no huffiness, or rancor -
just a twinge every now and then

for the wren who had built her nest
on a low branch overhanging the water
and for the dead mouse,
still dressed in its light brown suit.

But my heart is always propped up
in a field on its tripod,
ready for the next arrow.

After I carried the mouse by the tail
to a pile of leaves in the woods,
I found myself standing at the bathroom sink
gazing down affectionately at the soap,

so patient and soluble,
so at home in its pale green soap dish.
I could feel myself falling again
as I felt its turning in my wet hands
and caught the scent of lavender and stone.

("Aimless Love", Billy Collins, in Nine Horses, 2002)

Birthday, by Billy Collins

Before it was over
I took out a pencil and a notepad
and figured out roughly what was left -
a small box of Octobers, a handful of Aprils,

little time to waste reading a large novel
on the couch every evening,
a few candles flaming in the corners of the room.
A fishbowl of Mondays, a row of Fridays -

yet I cannot come up with anything
better than to strike a match,
settle in under a light blanket,
and open to the first sentence of Clarissa.

Look at me setting off on this long journey
through ink and tears,
through secrecy and distress,
anticipation and swordplay.

As the darkness thickens
and the morning glory puts down its trumpet,
as worms begin to sing in the garden,
and Christ looks down from the wall,

I will begin inching toward the end -
page one thousand five hundred and thirty-three
in this paperback Penguin edition,
introduction and notes by one Angus Ross.

("Birthday", Billy Collins, in Nine Horses, 2002)

What better way to spend a birthday? Engrossed in a book (old favorite or new adventure). Better than how I spent it – renewing my drivers license and running errands. But it wasn’t all in vain, because while I waited, I read this poem. And that made my birthday a little more special.